Artists & Projects Directory
Dan Hurlin
Dan Moses Schreier (Composer/Sound Designer) With Dan Hurlin,
Dan composed the chamber opera The Shoulder and the soundtrack
for Quintland - The Musical. For Broadway, he has composed scores
for Julius Caesar starring Denzel Washington, The
Tempest starring Patrick Stewart, The Glass Menagerie starring
Jessica Lange, and August Wilson's Radio Golf. Off Broadway scores
for the theater include Tony Kushner's Homebody/Kabul, Lynn
Redgrave's The Mandrake Root, Craig Lucas's God's
Heart, Daniel Sullivan's production of A Midsummer Night's
Dream and this summer's Delacorte Theater production of The Merchant of Venice staring Al
Pacino. As a sound designer, Dan recently designed the Broadway production of
Stephen Sondheim's A Little Night Music, Sam Shepard's Kicking
a Dead Horse, Gypsy staring Patti Lupone (for which he
received a Tony Award nomination), John Doyle's production of Sweeney
Todd, Topdog/Underdog, Floyd Collins, and the
50th anniversary production of West Side Story, directed by Arthur
Laurents. Dan has received three Drama Desk Awards and an Obie Award for
sustained excellence. He studied music composition with William Bolcom and
Stanley Silverman.
Sally
Oswald (Playwright) Plays
include Nightlands, Sun Ra, Pony, Vendetta Chrome, Painful Adventures, and
Plutonics. Her work has been developed or presented at About Face
Theatre, Clubbed Thumb, Portland Center Stage, The Foundry Theater, McCarter
Theater, New Georges, New York Theater Workshop, P73, and Soho Rep. She is the
recipient of a Full Stage NYC commission from New Dramatists, a Jerome
Fellowship from the Playwrights' Center in Minneapolis, a Thurber House
Playwriting Fellowship, and fellowships from The MacDowell Colony, The Millay
Colony for the Arts, the Dramatists Guild, and a New Voices fellowship from The
Ensemble Studio Theater. She holds an MFA from Brown University, and teaches
playwriting at Barnard College and SUNY Purchase. With Jordan Harrison she edits
PLAY A JOURNAL OF PLAYS. She is a resident playwright at New Dramatists.
David Soll (Film Sequence) David Soll's career has included television, documentary and advertising. He recently served as a Co-Creative Director on the Obama for America media team, writing, producing and editing national television ads. He was the recipient of a MacDowell Colony fellowship in 2009, an Independent Filmmaker Project fellowship in 2010, and his advertising work has been recognized with numerous Telly and Polly awards, as well as two Cannes Lions grand prix. He has worked as an editor for Sony Pictures Entertainment, MGM and ABC, and he has collaborated on experimental films with choreographers and theater artists including Victoria Marks, Dan Hurlin, and Alexia Rasmussen. David graduated summa cum laude from New York University with a degree in political philosophy. He is currently completing Puppet, his first feature documentary, about puppetry in New York.
Tyler
Micoleau (Lighting Design) Collaborations with Dan Hurlin: The Shoulder, Heart
of the Andes, The Home of Bill & Sandy Kelly and Hiroshima Maiden.
Select New York Off-Broadway credits: When The Rain
Stops Falling (Lincoln Center Theater); That Face (Manhattan
Theatre Club); The Aliens (Rattlestick); Blasted (Soho
Rep); God's Ear (New Georges/Vineyard Theatre); Gutenberg!
The Musical! (Actors Playhouse); Basic Training, Orson's
Shadow, Eat the Taste, Bug (Barrow Street
Theater); Carnival Knowledge, Underneath the Lintel (Soho
Playhouse); Oohrah!, Anon, The Intelligent
Design of Jenny Chow, The Night Heron, Dublin Carol, Mojo (Atlantic
Theater). Regional: Dallas Theater Center, The Old Globe, Trinity Rep,
Shakespeare Theater, American Repertory Theatre and Long Wharf Theater among
others. Awards: American Theatre Wing Hewes award, Off-Broadway
Lucille Lortel Award, a Village Voice OBIE, the Connecticut Critics Circle award,
three Philadelphia Barrymore nominations, and a Chicago Jeff award nomination.
Education: BA, Bowdoin College. www.tylermicoleau.com
Anna Thomford (Costumes, Large and
Small and Soft Furnishings) began her costuming career in 1983 at Andy's Summer Playhouse, Wilton,
NH, where Dan Hurlin was the artistic director. She has designed and built
practically everything made of cloth for practically everything Dan has done
ever since - notably: The Shoulder and Hiroshima Maiden. She met many
wonderful and inspiring people at Andy's that led her to create a series of
political wearables. Of these, the favorite is Tonya and Nancy: the Jacket. In 1998 she followed Andy's new
artistic director, Robert Lawson to Franklin Pierce University, Rindge, NH
where she is the faculty costume designer/instructor. In late December 2008 she
started work on The Money Bag,
but like the economic recovery, it remains unfinished.
downloads
links
- Disfarmer Review: Puppets show Disfarmer's Humanity
- Disfarmer Review: Still Life
- PUPPET: A Film by David Soll
- Washington Post: Best of 2009
- Dan Hurlin receives United States Arts Fellowship
- Disfarmer Review: Widening the I
- Disfarmer Review: A Honey of an Anklet
- Time Magazine blog on Disfarmer
- Claudia LaRocco on Disfarmer
- Disfarmer Review in Time Out NY
- Disfarmer Review in Variety
- Disfarmer Review in Backstage
- DisFarmer: A Portrait of America by Dennis Mohr
- Dan Moses Schreier on myspace
- disfarmer.com (Howard Greenberg Gallery)
- The Disfarmer Project
